Morgan Fogg & Grimmet: This Is What You Want – Indie Music Review

from Hot Indie News by Darkside

Morgan Fogg and Grimmett - This Is What You Want

This Is What You Want by Morgan Fogg and Grimmett is best described as having three sections: vocals, lyrics and musicianship. These three distinct categories are varied stylistically and in terms of talent, which makes for an interesting melange, and an engaging (if occassionally confusing) listen.

Starting off with lyrics, this album has Christian-based lyrics counterpointed with songs about booze. The idea of lyrics reflecting Christian ideas is an ingenious one, though occasionally seemingly out of place. The songs with lyrics, however, happen to be exquisetly crafted, and singer Cheri Gaudet Grimmett does a good job of integrating them into the album’s sound.

Ms. Grimmett sounds like a lounge singer, and does that title a service. Initially, her voiced sounded strained, as if she were attempting to pull off ‘smoky’ (which, if she was trying to do, she failed at), but as the album progresses, she seems to settle into her own style with a beautiful, sonorous, controlled voice. By the penultimate song, “Go Down Moses”, she has firmly and smoothly integrated herself into the sound of the album.

The music throughout is superb. Fogg’s Fender Rhodes, Carl Dimow’s flute, and Brad Terry’s clarinet all shine throughout the album; they are all magnificently played, and have impressive solos throughout.

The highlight of the album, however, is Matt Fogg on the piano. Fogg has spent a lifetime creating music, first as a trumpeteer, later moving onto piano. His expertise as a jazz pianist is obvious from the first note, and is consistently held. Furthermore, he posses a range that is simply astonishing- he adeptly changes styles, from restaurant-jazz (background music that you start paying attention to) to true blues-style, and everything in between.

Matt Fogg: After School, By The Bike Racks, Don’t Bring Your Mom

from Keyboard Magazine – January 2007 by Ed Coury

In 1903, George Bernard Shaw wrote, “He who can, does. He who cannot, teaches.” If George were around today he’d be eating those words, after meeting Matt Fogg.

The 28-year-old music teacher does more in one week than many of us do in a month. Monday through Friday, Mr. Fogg is the vocal music instructor at Lyman Moore Middle School, near his home in Portland, Maine. Weekday evenings he teaches jazz piano at the University of Maine at Augusta, and Bowdoin College in Brunswick, Maine. And as if that weren’t enough to keep him busy, Matt directs the Jewish Youth Chorus of Maine (which is no small feat; Matt isn’t Jewish, so he learned the repertoire from scratch).

Okay, it’s apparent that Matt can teach. But can he “do”? The answer is yes – and he does it all weekend long.

You might catch Matt playing jazz standards at a classy Portland restaurant. He brings along a Yamaha P120 or P140 – and sometimes adds female vocalist Nicole Hajj. Matt and Nicole have recorded together, and their jazz tunes have been played on radio stations overseas.

Those gigs are quite a contrast to the shows Matt puts on with his cover band, Retrospecticus. “We try to do the whole rock star image,” he says. “We wear T-shirts and try to put on a really good rock show.” He describes the band’s playlist as “a mix of disco, soul, rock, and funk. Just all kinds of covers from the ‘50’s to the late ‘80’s.”

Matt’s Retrospecticus rig consists of his Yamaha P120, the 73-key version of the Nord Electro 2, a microKORG, and sometimes an Angel melodica, “for a few tunes like Stevie’s ‘Isn’t She Lovely’.” Matt likes the sound of Yamaha pianos (which explains why he owns two). He puts the Electro in the mix for its great clonewheel abilities. And the microKORG is added for classic and modern synth sounds. “It has some of the cool analog sounds that Suge Knight and Snoop Dogg used, like on Doggie Style.”

The Motion Sound KP200S is Matt’s main amp. He runs in stereo and sends a feed from the amp’s stereo outs to the band’s P.A. system when needed. Monitoring is in-ear, with Shure E3 High Energy earphones. Matt supports his boards with an On-Stage Stands Folding Z keyboard stand with an added tier, or the two-tier On-Stage KSA7500 X-style stand.

The makeup of Matt’s rig is subject to change. Sometimes he takes his Kurzweil PC88 to a job. For really big shows, such as the Festival for Cultural Exchange in Portland, he puts his arm and back muscles to the test and brings his Hammond A-100, Leslie 120, Wurlitzer 200A, and Fender Rhodes Suitcase.

Matt may be in the classroom five days a week, but on-going recording projects with vocalist Jaye Drew as well as Morgan, Fogg, and Grimmett (an original group which recently released a CD) might make him a star one day. “All the things I do are an attempt to get out there and be known, and get my stuff heard,” he says. If he did make it to the big time, Matt would like to write and produce, making enough, he says, “to do whatever I want, when I want.”

Being a part-time performer has paid off in the classroom for Matt. He brought Retrospecticus to school one night to play a two-and-a-half hour dance. “Lot of kids in Portland never have a chance to hear a concert,” he says, “so I wanted to get the band in there.”

His effort paid off. “255 kids joined the chorus after we played,” he says. “The previous year we only had 80. Being a weekend pro gives a teacher some street cred. If they don’t find me credible, they won’t listen to anything I tell them.”

Want It All: Morgan and Grimmett find themselves in the Fogg

from The Phoenix – August 2, 2006 by Sam Pfeifle

Morgan Fogg & Grimmett - This Is What You Want

Morgan Fogg & Grimmett, like Medeski Martin & Wood, eschew the comma on their debut release together, but they embrace the period on This Is What You Want. Seriously, it’s got a period at the end of the title, which is why that period you see at the end of that sentence is technically in italics (also causing serious dilemma as to whether that sentence should have ended with two periods — it was just too silly to actually do).

After the first track, you might even think they were headed MMW’s way musically. “Blues for Steve” opens like Steely Dan’s “Reeling in the Years” but without the bite, and guitarist Scott Morgan (Tribe Describe) doesn’t get too carried away in trying to imitate the song’s title, leaving us with an interesting extended solo to sink our teeth into early. Plus, you’ve got to love the tone of pianist Matt Fogg’s organ (I’m pretty sure it’s a Wurlitzer, but he plays Fender Rhodes and Hammond C3 here as well, and I’m not going put myself all the way out there).

But on track two, “Bottle Down,” when vocalist Cheri Gaudet Grimmett (Tribe Describe, too) makes her debut, it’s clear this trio-plus aren’t going to be quite that adventurous, though they do get a little bit Santana on “Huntin’.” Shawn Boissoneault goes with the brushes, and Grimmett does the lounge-singer thing.

From there on out, the album is something of a mixed bag. Rock elements from Morgan are interspersed with more-jazzy solos from clarinetist Brad Terry and flautist Carl Dimow (Casco Bay Tummelers), and Fogg’s piano and organ takes are certainly virtuosic, but the album has a hard time establishing a rhythm with a wide variety of song styles, including a cut that opens with a decidedly Middle Eastern vibe.

As a jazz album, this is very mainstream accessible, and at times ambitious, benefiting especially from original cuts instead of the standards that populated the last release from Fogg, Live at the Azure Cafe. But I’m not totally sold on the songwriting, either — “Go Down Moses”? “Pharaoh, let my people go.”

The Night Is Young

from The Portland Press Herald – August 2, 2006 by Aimsel L. Ponti

Morgan Fogg & Grimmett - This Is What You Want

I listened to “This Is What You Want,” the debut release from Morgan, Fogg & Grimmett, over dinner on Monday night and quickly realized I had made a good decision.

Matt Fogg is something of a jazz piano virtuoso, not to mention an accomplished arranger. He also fell in love with Wurlitzer and Hammond organs. Scott Morgan, of another local act, Tribe Describe, also shines on the record with his guitar. Singer Cheri Gaudet Grimmett ties it all together with her bright, polished voice.

The record starts out on an instrumental note with “Blues in the Water,” which has a bluesy guitar feel courtesy of Morgan and is laced with the sound of Fogg’s vintage organ. Then we are introduced to Grimmett’s singing via “Bottle Down,” which also shows off the dazzling, free-flowing piano chops of Fogg.

The record has a fantastic flow to it and is genre-bending throughout. “Go Down Moses” clocks in at over 7 minutes and starts off with the distant sound of African drums, among other instruments. It sounds like a nouveau olde spiritual.

Jazz fans will dig this record for sure, but so will anyone looking for something as refreshing as a Mojito on the beach with added shots of soul, spirit, heart and sparkle. Visit www.mattfogg.com, where you can dig some samples off the record and read more about the twists and turns that culminated with the release of “This Is What You Want.”

Morgan, Fogg & Grimmett CD release show, 7:30 p.m. Saturday [August 5, 2006] (followed by reception), Maine Sound Stage, Fort Andross, Brunswick, $10, reserve by calling 229-2738 or 837-2955.

First Review of Morgan, Fogg, & Grimmett’s This Is What You Want

from www.MuzikReviews.com by Keith “MuzikMan” Hannaleck

Morgan Fogg & Grimmett - This Is What You Want

This is one of those great CDs where I have a hard time figuring out where to start, which is a good omen for the artists.

Morgan Fogg & Grimmett say This Is What You Want, and you know what? It most certainly is. This is a great indie release; there really is not a thing about it that I dislike. It helps to have a deep love and understanding of the jazz idiom to feel this way. Jazz is not and never has been cut and dried. What this band accomplishes in the twelve tracks on this CD is to shine a light on all the best components of the genre. Rather than performing dutifully, they give the genre all the respect it deserves and have fun at the same time.

The three featured artists are Matt Fogg (Piano, Wurlitzer 200A, Hammond C3, and Fender Rhodes) Cheri Gaudet Grimmett (vocals), and Scott Morgan (guitar). Fogg is an accomplished keyboard wizard; he jumps back and forth between the acoustic piano, the fabulous Wurlizter 200A, and to the old standby the Hammond C3. Fogg colors each track with variations on each particular theme through different textures, as if there was a selection of buttons in front of him to push and engage a mood or atmosphere that was appropriate to the lyrics that Gaudet was singing. Gaudet is also a seasoned veteran fronting a unit; she swings with the best of them and gives it her all on every track. Her energy seems to be a good fit for the rock solid instrumentation provided on this release. I really liked her upbeat tone and style; no doubt, she was made for jazz. Laced in between and all around this activity is the guitar of Scott Morgan, a very capable individual, his playing is consistently outstanding and versatile throughout.

I especially enjoyed the opening track, the instrumental “Blues For Steve,” a bluesy shuffle that highlights a band that is in total alignment with each other. Being partial and more critical of instrumentals, because there is only one ingredient to focus on, I am not easy to impress. I must say that the track was very enjoyable and I could have easily listened to an entire CD of this style of music, but then I would be missing the wonderful vocals of Ms. Gaudet. There is just so much to like here! “Huntin’” was one that really perked my ears up because of the rockin’ guitar courtesy of Scott Morgan. It is still jazz mind you and some good solid fusion that lets everyone know that indeed they can cut loose, rock out, and still be a jazz band. I liked “Go Down Moses” too, the title and the words are great, and the melody sublime, a jazz composition does not get much better for simplicity and snappy freshness.

I could on forever about this CD but I won’t. This is a wonderful selection of songs featuring a superb band delivering the goods-it is as simple as that.